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Legs Homès - Van Schoor
Art --- Art. --- Beeldende kunsten. --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- to date --- Serials --- Kunst --- Periodicals --- Périodiques
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Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Prussia --- Arts and Humanities --- Architecture, Fine and Decorative Arts --- Performing Arts, Travel and Leisure
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-7.075 --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Marketing --- 7.075 --- Marketing. --- Art - Marketing
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Focillon, Henri J. --- Focillon, Henri --- Art --- Historiography --- Criticism and interpretation --- -Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- -Criticism and interpretation --- Historiography. --- Focillon, Henri, --- Criticism and interpretation. --- -Historiography --- Art - Historiography --- Focillon, Henri - Criticism and interpretation --- Focillon, Henri.
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Aesthetics of art --- Masterpiece, Artistic --- Art --- History --- -Masterpiece, Artistic --- Artistic masterpiece --- Creation (Literary, artistic, etc.) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Masterpiece, Artistic. --- History. --- Art - History --- Art history --- History of art
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Art --- Dictionaries --- French --- Dictionnaires français --- Désherbage --- -7:030.1 --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Deselectie --- -French --- Dictionnaires français --- 7:030.1 --- -French. --- Dictionaries -&delete& --- Art, Primitive --- Art - Dictionaries - French
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Art --- Dictionaries --- French. --- Dictionnaires français --- French --- -Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- -French --- Theses --- -Dictionaries --- Dictionnaires français --- Art, Occidental --- Dictionaries&delete& --- Art - Dictionaries - French
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Spanish-American literature --- Art --- Cuba --- Cuban literature --- History and criticism --- -Cuban literature --- -Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- -History and criticism --- Art, Occidental --- Art, Primitive --- Cuban literature - History and criticism --- Art - Cuba
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Cette introduction à la philosophie de l'art du XVIIIe siècle retrace les grandes lignes de pensée de la théorie esthétique telle qu'elle prend formes à la fin du XVlle et au XVllle siècle. Le principe fondamental de l'art à l'époque classique, l'imitation, forme point de départ de la réflexion. L'imitation, principe fondamental de l'art à l'époque classique, forme le point de départ de la réflexion. Dans l'ouvrage principal de la théorie esthétique du XVllle siècle, Les Beaux-arts réduits à un même principe de l'abbé Batteux (1746), l'imitation est présentée comme une relation entre deux pôles, les beaux-arts d'une part, la nature d'autre part. Ces deux versants du processus imitatif forment les deux grands volets du présent ouvrage. Un chapitre central est consacré à la relation particulière entre les arts et la nature telle que l'impose la conception classique de l'imitation. Cette relation est pensée en termes de vraisemblance. En montrant la façon dont la mimésis classique se pense et se repense au XVIIIe siècle, et en mettant en lumière, de part et d'autre de l'ouvrage " classique " de l'abbé Batteux, l'apport fondamental de l'abbé Du Bos en 1719 et de Diderot pour la seconde moitié du siècle, cet ouvrage permet aux non-spécialistes de l'époque classique de se repérer dans le vaste champ de réflexion sur l'art du XVIIIe siècle et de comprendre les mutations qui s'y font jour.
Aesthetics --- anno 1700-1799 --- Aesthetics, French --- Art --- Philosophy --- History --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Art, Primitive --- Aesthetics, French - 18th century --- Art - Philosophy - History - 18th century --- Esthétique --- Imitation (art) --- Philosophie --- 18e siècle
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Art --- art [fine art] --- Dictionaries --- French --- Dictionnaires français --- -7 <09> --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- -French --- French. --- Dictionnaires français --- 7 <09> --- Dictionaries&delete& --- Terminology --- Art - Dictionaries - French --- art [discipline] --- Histoire --- Dictionnaires
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